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18 Février 2021
Avid was compelled to develop AAX, given the fact that only Steinberg could modify the VST format for DSP support, and that only Apple could do the same for its AU format. Dave Tremblay added that AU–being a Mac-only format–left Windows users with no option but to use VSTs.
Virtual instruments are software emulations of traditional instruments or hardware electronic musical instruments.
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There is a staggering range of virtual instruments available nowadays, covering multi-timbral rompler modules to dedicated emulations of guitars, basses, drums, keyboards, and more.
Some of these VSTi plugins (as they're also called) are free. So in this article we'll take a look at some of the best free virtual instruments you can download today. Many of which are pro worthy.
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The benefits of virtual instruments are fairly obvious. They take up much less space than their hardware equivalents, they don't overheat, and many of them have virtually unlimited polyphony. They are also much easier to edit and they almost never break down.
Here we run down some of the most intriguing virtual instruments currently available. Although some purists may scoff at the idea of these replacing their well-loved guitars or keyboards, there is no denying that they provide a surprising range of great sounds at a price that even professional musicians will appreciate.
Native Instruments' Kontakt Player is arguably the Don of all free virtual instrument plug-ins. Based on the company's own hugely successful Kontakt sampler, Kontakt Player effectively hosts all sample-based instruments developed for its more fully-featured big brother.
The compatibility goes the other way as well. All free instruments developed specifically for Kontakt Player will load up and play in the full version of Kontakt. Between the two, there is a staggering assortment of free and paid instruments, all boasting of the trademark Native Instrument quality.
To get budget-savvy musicians and producers started, NI offers a free Kontakt Factory Selection consisting of 50 premium instruments. Some of these are slightly cut-down versions of the instruments developed for Kontakt, while some are full versions developed specifically for Kontakt Player.
While Kontakt Player focuses mainly on standard instrument libraries, Native Instruments' Reaktor Player is geared more towards the synthesis side of things.
Reaktor is of course the full-blown modular synthesis environment that gives users unparalleled and unlimited opportunity to design virtually any type of synthesizer, sequencer, or signal processor they could think of from scratch. With Reaktor Player, users are able to play back a wide variety of instruments and effects developed in and for Reaktor, with a more modest set of editing capabilities.
As with Kontakt Player, there is a huge range of ready-made instruments available for use in Reaktor Player. NI even offers two free devices to get you started: the Blocks Wired pre-patched modular synth and the Mikro Prism synthesizer.
Reaktor Player obviously doesn't come close to providing the depth of power and customizability offered by the full version of Reaktor. Nevertheless, it is a good introduction to modular synthesis. Furthermore, the availability of hundreds of Reaktor instruments cover a board range of sound-crafting options.
Ample Guitar M Lite is the free version of Ample Sounds' popular AGM guitar simulator. Emulating the warm, rich tones of the Martin D-41 acoustic guitar, Ample Guitar M Lite is now on its second version.
For the price of a free download, you get an enhanced set of features that now match the capabilities of the full version. The note range now spans E1 – C5, and the plug-in now works as a standalone instrument. Even if you do opt to use the instrument in your DAW, multiple instances will take up much less resources than before, and they will load up faster as well.
As you may have guessed from the name, Ample Bass P Lite is Ample Sound's free bass guitar sample player plug-in. A cut-down version of the full Ample Bass P II component of the company's Bass Series product line, this plug-in has fewer samples and fewer round robin variations than the full version. It also has a smaller note range than the paid product, covering D1 to F4. Nevertheless, the Ample Bass P Lite does a good job of cranking out the distinctive tones of the Fender Precision Bass, which it models.
Manda Audio's MT Power Drum Kit is a free drum sampler that has a fairly wide selection of acoustic drum kit sounds. Great care has been taken to record and process the original samples, giving users a range of high-quality drum sounds perfectly suited for pop, rock, and even metal.
Those who wish to process their drum sounds with their own plug-ins might not appreciate the fact that the MT Power Drum's sounds are already processed. Nevertheless, EQ and compression were applied quite tastefully, and the sounds should fit in well in most mixes.
Soundtrack software for mac. Togu Audio Line has garnered quite a bit of acclaim for its excellent line of synthesizers and effects processors, a number of which are free. NoiseMaker is one of these, and it compares favorably to the company's own paid emulation of the Roland Juno 106 analog synth, the TAL-U-NO-LX.
The NoiseMaker incorporates some of TAL's more popular effects processors on board. There is the Juno-derived chorus with two modes for starters, along with a reverb, a delay, and a bitcrusher, all of which exist as free standalone plug-ins.
DistroCore's DC Bazz::Murda is a bass and kick synthesizer that is capable of a surprisingly wide array of sounds. Although aggressive and distorted industrial sounds are its forte, it can be dialed back for more subdued tones as well. Even so, this is one plug-in that was obviously designed to get as loud and nasty as possible. For some users, that could be a good thing!
Native Instruments' Kontakt Player and Reaktor Player Video file editing software. are a couple of the best free virtual instruments that you can get, without a doubt. They provide a superb one-two punch that simply can't be beat.
Between the two, you pretty much have all your bases covered, whether you need bread-and-butter rompler sounds, exotic World Music libraries, or synthetic sounds ranging from vintage to cutting-edge.
Given the wide range of sounds they cover and the trademark NI quality, these two are neck-and-neck as our top picks for best virtual instrument plug-ins.
AAX or 'Avid Audio eXtension' is a plug-in format developed by Avid, the company behind the hugely-popular Pro Tools audio recording and editing system. AAX replaces the older Pro Tools plug-in formats TDM, RTAS, and AudioSuite.
With AAX, Avid aimed to provide a unified plugin format that was capable of 64-bit processing. Its release came on the heels of the 64-bit version of Pro Tools, which required a plug-in format suited to its capabilities.
AAX comes in two versions: AAX DSP and AAX Native. The format enables users to transfer sessions between native and DSP-accelerated Pro Tools systems, and still have access to the same plug-ins.
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There are a number of good reasons why AAX are a better alternative to the older plug-in formats. As with all other 64-bit capable software, AAX plugins will be able to make full use of the available RAM in a given computer system. In contrast, 32-bit plugins can utilize only a maximum of 4 GB. With AAX, users will be able to utilize more effects and more virtual instruments in their sessions.
The rationale behind the development of AAX was laid out by developer Paul Neyrinck and Avid's Dave Tremblay. According to Paul, AAX was borne out of the need for a plug-in format that worked with both native and DSP systems. Avid was compelled to develop AAX, given the fact that only Steinberg could modify the VST format for DSP support, and that only Apple could do the same for its AU format.
Dave Tremblay added that AU–being a Mac-only format–left Windows users with no option but to use VSTs. Considering the absence of processing code suitable for DSP operation, he cited the need for a format that wouldn't be limited to native applications. He further explained that VSTs don't scale up favorably to large sessions, due to the way they handle automation.
Pro Tools users that aren't quite ready to give up on their TDM plugins and RTAS plug-ins will be glad to know that AAX maintains compatibility with the older formats. Even older sessions can be opened without issues, going as far back as Pro Tools 9. This wouldn't have been possible with the VST format, because of the incompatibility with the data stored in Pro Tools sessions.
Another factor that played a part in the development of the AAX format was Avid's desire to remain an industry innovator. As Dave said, sticking with the VST format would have limited the company's flexibility with regard to plug-in platform innovation, and would have hindered the development of the Pro Tools engine itself. By developing the AAX format, Avid was able to produce plug-in such as AAX Hybrid, which processes audio using DSP hardware and the native processor at the same time.
At present, it seems that Avid has pinned all its future development plans on AAX. As far as the company's efforts in the 64-bit realm go, AAX is pretty much poised to remain the standard. Upcoming Pro Tools releases will most definitely be using the AAX format. Backwards compatibility with TDM and RTAS notwithstanding, Avid is clearly sticking with AAX for the long haul. The company also expects third-party developers to follow suit with their own 64-bit offerings.
The question that this now brings up is: what of the users of plug-ins that have yet to be released in AAX format? It might be a tough pill to swallow, but the reality is that Pro Tools 11 will only support 64-bit AAX plug-ins. This means that all plug-ins will have to be updated to 64-bit versions.
If all this seems a bit too much for you, it might be wise to hold off on upgrading to Pro Tools 11 until such a time as AAX support becomes the norm. Longtime users with an eye toward the future may also opt to run PT 10 alongside PT 11, so that they can still use their TDM and RTAS plug-ins while waiting for the right time to make the switch. And of course, you also have the option to migrate to PT 11, and switch out all your old plug-ins in favor of new AAX versions, all in one go.
You can find all AAX plugin versions in our VST and AU plugin guide.
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